Petrovsky-Shtern: Confronting Catastrophes Exhibit at Ukrainian Institute of America
The Ukrainian Institute of America, 2 East 79th Street, New
York City, continues presenting “Confronting
Catastrophes,” an exhibition of paintings by Yohanan
Petrovsky-Shtern. Acting as a miniature survey, this exhibition features past
and new works reflecting on personal and communal feedback to the resistance,
stamina, and suffering of the Ukrainian people. The artist uses parallels
between the fate of the Ukrainians at war and of Jews during the Holocaust and
the catastrophe that befell Jews on October 7. Such topical parallelism has
become part of a widely accepted and cultural war-time discourse in Ukraine and
beyond. This marks Petrovsky-Shtern’s third solo exhibition with the UIA.
The exhibit continues until November 16.
“Confronting Catastrophes” displays a compelling
evolution of Petrovsky-Shtern’s art, shaped by the tragedies of the 20th and
21st centuries. His narrative paintings combine memory, myth, and allegory,
drawing on traditions from Renaissance masters, the avant-garde, and Ukrainian
folk art. Balancing abstraction and figuration, his works confront war,
devastation, and resilience while placing humanity at their center. Deeply
rooted in Jewish cultural memory yet universal in scope, Petrovsky-Shtern’s art
reflects both personal history and collective trauma. His layered identity as
artist, scholar, and humanitarian underscores the transformative power of art
amid catastrophe.
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a professor of Jewish History in History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish material culture; history and culture of Ukraine; origins of Zionism; and Slavic-Jewish literary interaction.
He is
also a member of the Editorial Advisory Board of The Ukrainian Quarterly, the
UCCA’s 81-year-old journal of Ukrainian and international affairs.
He has published more than a hundred articles and eight books
and edited volumes, three of them award-winning, including The Jews in the
Russian Army: Drafted into Modernity (2008, 2nd ed. 2014); The Anti-Imperial
Choice: the Making of the Ukrainian Jew (2009); Lenin’s Jewish
Question (2010); Jews and Ukrainians: Polin, vol. 26 (2011, co-edited with
Antony Polonsky); Cultural Interference of Jews and Ukrainians: a Field in the Making (2014); The Golden-Age
Shtetl: a New History of Jewish Life in East Europe (2014, 2nd
ed. 2015); Jews and Ukrainians :A Millennium of Coexistence (2016,
co-authored with Paul Robert Magocsi; 2nd ed. 2018). His essays, books and book
chapters have appeared in Greek, Spanish, Ukrainian, Polish, Russian, French,
Hebrew, and German.
As an artist, Petrovsky-Shtern combines the traditions of
European avant-garde, Polish political poster, and Ukrainian folk art. He
enjoyed a dozen international and national shows, exhibiting his artwork in
Kyiv, Lviv, Greenwich (CT), Chicago, and New York, including solo shows at
Spertus Gallery, National Ukrainian Museum, and Ukrainian Institute of America.
His work was featured at Crosscurrents, Antikvar, Ukrainian Weekly, The New York Jewish Week, and Arts Illustrated.
An illustrated catalog published by ibidem-Verlag
(Hannover, Germany) in conjunction with the exhibition and will be available at
the UIA. Confronting Catastrophes is edited by Anastasia
Simferovska with contributions from Alex Averbuch, Rory Finnin, Amelia Glaser,
Olena Grozovska, Anna Gruver, Borys Gudziak, Yuriy Gurzhy, Tamara Hundorova,
Rodger Kamenetz, Mykola Kniazhytsky, Serhii Kvit, Oksana Lutsyshyna, Vasyl
Makhno, Oleksandra Matviichuk, Joel Mokyr, Myroslava Mudrak, Mykhailo
Nazarenko, Oxana Pachlovska, Yohanan Petrovsky-Shtern, Katja Petrowskaya, Ilia
Rodov, Edward Serotta, Anastasiia Simferovska, Benjamin Sloan, Edjan Westerman,
and Marcin Wodzinski. Introduction by Andrew Horodysky.
The Ukrainian Institute
of America and Yohanan Petrovsky-Shtern are immensely grateful to the Temerty
Foundation and Ronald Winston for their support of this cultural undertaking.
https://yps.gallery/
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